Last October, solo female artists held down the top five slots of the Billboard Hot 100 for seven weeks straight for the first time in the chart’s 56-year history, setting into high gear an overarching media narrative along the lines of "girls rule, boys drool." It was a compelling angle, with more than enough evidence to support it: Taylor Swift’s 1989 almost singlehandedly kept the record industry afloat "Bang Bang" presented itself as a millennial "Lady Marmalade" Beyoncé reset the standard for album rollouts Nicki Minaj, Ariana Grande, Meghan Trainor, and Iggy Azalea sat comfortably atop the charts. Women reclaimed the pop charts in 2014, sparking a renewed interest in "girl power" as a concept, a marketing strategy, and as clickbait fodder.
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